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for the national gallery in washington in 1976. his working relationship with i. m. pei continued. in dallas, moore's three forms vertebrae was set in front of the city hall. completed in 1978, it was his last major public work. then in his 80s, henry moore worked on as long as his health allowed him to. he died in 1986 and was buried in the much hadham parish churchyard. some critics still wonder if moore's remarkable success mighhaept tin his n newer directions. others disagree. oh, i thinore's success was always good for hi it may be bad for his reputation, but it wasn't bad for him, his ego, and the ego that was needed to make his work. success was needed in order to fuel the possibilities of a work that appeals to every man. (narrator) henry moore's legacy is still being debated, but what he achieved is beyond controversy. the early works combine a poetic gift for carving and a respect for craftsmanship that drew inspiration from a world wider and older than europe. his fascination with the body and the play of internal and external forms inspired radical abstractions, part dreamscape, part l
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